Aaron Koblin

If you’ve ever heard of Future Sonic or the words Open Source , then you probably already know about this chap and his work but its new to me and boggles my mind.

Aaron Koblin is based in San Francisco as an artist, designer and researcher; and he’s young – a bit of a cool arty techy nerd. He graduated from UCLA in 2006 and has been incredibly busy throughout and after his MFA in Design|Media Arts (evidence). His artistic focus is in data visualisation (“Data visualization is the study of the visual representation of data, defined as information which has been abstracted in some schematic form, including attributes or variables for the units of information.” Thanks wiki) As you can tell i am no expert in this field! Anyway, he has been working on data driven projects for years and creates visual artworks, videos and interactive media from varying sources of data, usually social and infrastructural, commenting on and analysing emergent cultural patterns and trends. The piece Flight Patterns, now part of the permanent collection at the Museum of Modern Art, New York, takes aviation data and in the Processing programming environment, these paths from thousands of flights were plotted and visualised in a beautiful interactive web of colour and form.

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His visual experiments and projects have led him to receive numerous awards and inclusion into many technology and innovation festivals and exhibitions; he was also awarded first place for Science Visualisation from the National Science Foundation.

This work is significant in a lot of different places through scientific research, art and commercial projects. One of his most recent and well-known ventures was his appointment as Director of Technology on the Radiohead/House of Cards project and music video. A piece which was groundbreaking for not being filmed at all but by being created purely out of data and code; producing a 3-D data video and launching an Open Source “music video without video” project with Google Code. AMAZING. This project and similar initiatives are encouraging artistic and mass participation in a way that I’ve not heard of before and its exciting. I am not overly into computers, I use adobe’s software for photography and graphics and enjoy the youtubes and the googles and the potential of a global digital voice, but in comparison to this area of creative technology my engagement with uptodate innovations is merely passive and some hardcore fans, scientists, researchers and artists might say none-existant. However, even after taking a brief look into Koblin’s world I feel awake, I feel inspired to learn about digital media’s potential but overall, I want to participate too.

Check out Aaron’s work and an interview with Casey Reas from Processing 1.0.

Aaron Koblin is also involved with San Francisco-based ‘Gray Area Foundation For the Arts- dedicated to building social consciousness through digital culture’. GAFFTA.org

Dawn Woolley

http://www.dawnwoolley.com/

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Dawn Woolley - The Substitute, 2007-08

I came across Dawn’s work in July at  tactileBOSCH. Her work was a part of Failure/Success; a show from the 2008 RCA MA Photography graduates.

 

Justine Kurland

Cyclone, 2001

Cyclone, 2001 : by Justine Kurland

Sheep Wranglers by Justine Kurland

Sheep Wranglers : by Justine Kurland

Frances Kearney’s Photography

'Untitled' 2006

'Untitled' 2006

Her Father's Daughter VII, 2001

Her Father's Daughter VII, 2001

Like Mother, Like Daughter III, 2000

Like Mother, Like Daughter III, 2000

rineke dijkstra : park portraits

one of the mother and daughter pairs I’ve been working with have been discussing moving the shoot from the family house out into Cardiff’s massive Bute Park…it’s where they spent a lot of time together when Beth, the daughter, was growing up.

It got me thinking more about Rineke Dijkstra and a couple of park portraits i saw in an ad for a show maybe 2 years ago. So i’ve had a google and found more from the series on the Marian Goodman Gallery website. The show ran from January 17th – February 17th 2007.

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Sefton Park, Liverpool, June 10, 2006

C Print 53 1/4 x 64 inches, 135.5 x 165.1 cm

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Amoy Botantical Garden, Xiamen, Oct 6, 2006

C Print 50 x 59 inches, 127 x 149.9 cm

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Prospect Park, Brooklyn, July 23, 2006

C Print 42 7/8 x 50 1/8 “, 109 x 127.2 cm

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Sefton Park, Liverpool, June 10, 2006

C Print 53 1/4 x 64 inches, 135.5 x 165.1 cm